Showing posts with label Gorgoroth. Show all posts
Showing posts with label Gorgoroth. Show all posts

5/28/2012

Gorgoroth - Under the Sign of Hell (1997)

Gorgoroth's '97 third full-length effort, 'Under the Sign of Hell, is one of the bands few albums, which I honestly find to be throughly enjoyable and much worth owning, definitely earning the status of classic, especially after completely re-recording the album in 2011 and re-creating a cheap cover band version of one of their finer outputs.

Largely the bands rawest and coldest recording, 'Under the Sign of Hell' also saw the band being reduced to just three members, namely; Infernus (guitars/bass), Pest (vocals) and Grim (drums). This record showcases Infernus at one of the best moments of his career and throughout this thirty two minute recording he unleashes some of the most heaven smashing evil sounding riffs imaginable; fast, utterly fierce, chaotic and memorable all at once, curiously he even has a totally thrashy sounding riff in, 'The Rite Of Infernal Invocation' too. As well his compositions are simply top notch as far as true to the bone black metal goes.

After sharing vocal duties with Hat on, 'Antichrist' we get the full on Pest vocal onslaught here. Pest shrieks, screams, and grunts in a barbarous uncontrolled manner that's overflowing with hate and lunacy, yet it works so perfectly. He even howls out some cleanly sung parts in, 'Profetens Åpenbaring,' which technically sound awful, but within the frame work of black metal it actually sounds stunning as he makes the transitions directly into his shrieking voice afterward. Likewise, Grim's drumming is ferocious and violent in its execution, though hardly technical or really diverse its the production and mood that really makes it all work.

The production is very rehearsal and turbulent in character, perhaps the bands attempt to one up Darkthrone's, 'Transilvanian Hunger,' yet its not exactly the same style since all of the instruments are easily heard, the overall volume is perfect and above all else this album is great, whereas said Darkthrone record pretty much sucks. Naturally the record also has a very cold aura surrounding it, its one of those albums where it actually feels like the temperature is dropping as you journey through it. The music itself is generally quite fast and brutal, though there are plenty of mid-paced moments, as well as some slower parts, for example, 'Ødeleggelse og Undergang' & 'The Devil Is Calling' that are full of rich evil atmosphere. You can also find some ambient parts, such as in, 'Postludium' and in the ending of, 'The Rite Of Infernal Invocation.'

'Under the Sign of Hell' is one of those albums I originally purchased a decade or more ago, but at some point sold either when in need of money or having one of my moods where I was preferring something else. Thankfully I recently came across a used original pressing and it was quite exciting revisiting this one.

As I mentioned earlier the band re-recorded this album last year, with basically the same line-up too, except Grim of course, since he's dead. Take note of the fact that its nothing compared to this original either. So, make sure if you hunt the album down that you do get the original, I mention that specifically since the cover's are very similar. As for why? I don't know, but I do hope Infernus' pay day was sweet and he has lots of bling to show off now. Fucking wanker.

1/07/2012

Gorgoroth - Pentagram (1994)

Of all the old early 90's Norwegian black metal classics, Gorgoroth's debut, 'Pentagram' has always ranked among my favorites. With a simple title, cover artwork and a straightforward true to the bone black metal sound and production, it's an undeniable must hear recording.

Formed as early as '92, in Bergen, Gorgoroth had released the demo, 'A Sorcery Written in Blood' & 'Promo '94' before this recording, and all but one of the songs from these early efforts are present on this debut, although re-recorded, of course.

Largely overshadowing everything the band would release after this, Pentagram is a supreme recording of raw, yet quite melodic and utterly evil sounding black metal. Vocalist, Hat (Norwegian for Hate) writhes loose some of most malevolent raspy shrieks every captured on tape, which still to this day give me the fucking creeps with their sheer larynx ripping terror. Infernus' guitar work and his punishing melodious riffs have that ability to make the hairs on my arm stand on end, which to me is the sign of something truly dark and baneful, while Samoth's rumbling low end bass work is like the bowels of hell about to erupt below me and Goat Pervertor's galloping drum work makes me feel as if I've got the Devil on my heel's. In the end what I'm trying to say is that no matter what way you look at it this recording has an aura of pure calamitous wickedness around it and I love every single second of it.

At just twenty nine minutes and eight songs deep there is plenty to love on, Pentagram too. From the powerfully, speedy and may I say catchy opener, 'Begravelsesnatt' to the slightly slower and more atmospheric, 'Crushing the Scepter (Regaining a Lost Dominion)' and onwards to the direful, 'Ritual,' Pentagram starts off flawlessly. 'Drømmer om Død' has one of sickest and darkest riffs ever wrote, while, 'Katharinas Bortgang' is a pummeling affair with one of the best build ups ever. 'Huldrelokk' is easily the best black metal instrumental I've heard with a lot of those hair raising parts to it, whilst '(Under) The Pagan Megalith' is a fucking shredding head banger of a song and the closer, 'Måneskyggens Slave' is some of the most nefarious black metal ever heard, simple as that.

Two years after this release, 'Antichrist' was unleashed, which is almost identical in style and production quality, while in '97, 'Under the Sign of Hell' proved to be the last decent Gorgoroth album. Much of what the band did from here on was painfully bland blast beat driven black metal or even slightly experimental stuff and when all the crazy hi-jinks involving the bands members began to happen the band had truly reached a state of hopelessness. Although 2009's, 'Quantos Possunt ad Satanitatem Trahunt' was a bit better and definitely a step in the right direction.

Regardless of my personal opinion on their other efforts, you need, 'Pentagram' in your collection. Absolutely one of my all-time favorites.